Showing posts with label WTF News. Show all posts
Showing posts with label WTF News. Show all posts

Thursday, January 6, 2011

Eminem Remixes Diddy-Dirty Money's 'Hello Good Morning'

Detroit's golden boy would like to bid you "Hello Good Morning," courtesy of Diddy-Dirty Money.

In 2010, Eminem’s seventh studio album, Recovery, was second in most sales worldwide behindLady Gaga and Lady Antebellum, according to Nielsen SoundScan. Never one to rest on his laurels, the prolific MC recorded an additional verse to Diddy-Dirty Money’s "Hello Good Morning" track, replacing T.I.’s appearance on the original version. Slim Shady’s humorous verses sound right at home over producer Danja’s club-ready banger.

"Hello and good morning, baby I didn’t mean to the turn the bad/ I know you’re feeling angry, just a tad ’cause I took you to the drive-thru, and made you pay the tab," Em rhymes. "Girl, I’m so cheap, I can turn your happy meal sad, You're loco, don’t go mistaking me for a mogul/ I’m more like Boogle, McLovin’, McDonald's, McMuffin/ Breakfast burritos, Fritos, Cheetos, Doritos, Tostitos/ That’ll be the only thing I feed hoes."

Since the leak of the reported reference track "Syllables" which is rumored to be from Dr. Dre’s upcoming Detox LP, news of Eminem's moving tribute track "Difficult," dedicated to his fallen friend and former collaborator Proof, also surfaced. The potty-mouthed Marshall Mathers is also slated toperform in London’s famed O2 Arena at the Brit Awards 2011 in February.

Diddy-Dirty Money’s Last Train To Paris LP hit shelves in December and the album, boasting features from Drake, Usher, Chris Brown, Lil Wayne and Wiz Khalifa, has sold 161, 266 copies to-date.

Source:Rapfix

Wednesday, August 11, 2010

Eminem wins three Teen Choice Awards

His music might not be deemed "teen appropriate," but that didn't seem to hurt Eminem's chances when it came to last night's airing of the Teen Choice Awards.

The rapper took home three awards, including the award for Best Rap Artist, Bet Rap/Hip-Hop track for "Love the Way You Lie" featuring Rihanna (check out the video here if you haven't seen it yet) and Best Rap Album for "Relapse," the album he released last May.

With three awards, Eminem had a pretty successful night, but he couldn't come close to touching the staples of teen idolatry these days.
Source:mlive

Friday, July 23, 2010

Megan Fox Films Eminem Vid

Megan Fox reportedly filmed a cameo inEminem and Rihanna’s new music video yesterday.

The beautiful star is apparently appearing alongside Lost actor and former hobbitDominic Monaghan in the promo for Love The Way You Lie.
It’s claimed they’ll play a couple in steamy scenes as Ri’ and Em’ burn a house down!
A source told E! Online: “Things start off with a sex scene between Megan and Dominic, Then they fight but end up having sex again.”
Joseph Kahn- responsible for previous Em’, Pussycat Dolls and Muse videos- is directing Love The Way You Lie and has been shooting all week.
Pics from the set already leaked online showing Rihanna surrounded by flames.
Director Kahn posted on Twitter: “Paparazzi, stop trying to ruin my shots. Thank you.”
Source:MTV UK

Adrian Grenier, 50 Cent and Eminem Do Documentary On "How to Make Money Selling Drugs".

"Entourage" star Adrian Grenier is working with 50 Cent, Eminem and former drug kingpin Rick Ross on a new documentary, entitled "How to Make Money Selling Drugs".

The star is re-teaming with Bert Marcus - his partner on documentary "Teenage Paparazzo" to co-produce the film, which will feature interviews with the trio as well as hemp advocate and stoner icon Woody Harrelson, Susan Sarandon and top-ranking U.S. government officials.

Explaining the project to Variety, Marcus says, "What we're trying to do is provide a glimpse into the lives of those involved in the war on drugs and give some answers as to addiction. W

e think the commercial prospects are going to be improved by getting recognisable people involved." The film is currently in post-production.

Source: aceshowbiz.com

Saturday, July 17, 2010

Eminem: Mental Health Underlies His Musical “Recovery” and ‘Relapse”

Eminem is back from the dead. After ending a long professional silence with a barely heard thump - last year's "Relapse" - Eminem has thundered back onto the scene of mainstream hip-hop with "Recovery." Once again, Eminem is ruling music charts, monopolizing radio waves, and raking in millions with hit-singles and highly publicized tours.
Why?

As it turns out the name says it all - "Recovery" versus "Relapse." Let that marinate. We'll come back to it.

Let's back up. Eminem has always had strong musical talents. His lyrics are witty and suggest cognitive strengths with verbal expression and comprehension. His word play is sophisticated and humorous suggesting high levels of creative intelligence. The strong beats of his songs are due to strong industry partnerships (i.e. rap staple Dr. Dre), which point to equally strong social intelligence. All of these abilities round-out a generally elite musical presence.

And yet his musical career has fluctuated. His recent hiatus and the underwhelming "Relapse" proved head-scratching, especially in light of "Recovery's" boomeranging success. His musical talents have never wavered. He's always been the same, musically speaking. So, what's with the fluctuation? I believe the underlying explanatory factor is something within him that actually does fluctuate - his mental health.

The Mental Health Yo-Yo

Eminem has long battled internal demons. Raised as an only child by an impoverished mother, within a broken household (paternal abandonment), his early life was one big tumultuous experience. Nomadic home life, the successful suicide of a close Uncle and failing grades propelled Eminem toward becoming a disconnected, embittered high school drop-out.

As with many people, early external chaos can become internalized. In his adult life, he's been addicted to a pharmacy of drugs, and he's struggled with depression and anger. Such internal chaos tends to initiate vicious cycles of dysfunction. Predictably, Eminem's later life has been littered with conflict and controversy. He's married his high school sweetheart, Kim, twice. She's attempted suicide. They've divorced. He's been jailed for assault. Hell, he's been sued by his mother. That last one should say it all.
His life is a narrative of chaos continued. And the maladaptive mental processes fostered by his experiences and personality traits have been reflected in his music.
A prime example are the patterned misogyny and homophobia exhibited in his lyrics. I know what you're thinking - what rap song doesn't exhibit such qualities? It's become almost a pre-requisite for rap songs. As a counter-point I would simply suggest that communal complicity doesn't make something healthy and, furthermore, Eminem's relationship to these unhealthy processes seems more personal than most. One senses that Eminem is not "performing" as much as he's "getting it out."

And, the examples of misogyny and homophobia are really best discussed and understood in the context of mental health and illness - and should not be confused as issues pertaining to freedom of speech, personal opinion or political stance. Eminem, as far as I know, never suffered significant and negative experiences with homosexuals (i.e. assault). So, what he's doing is channeling a ton of effort in order to exude intense vitriol toward a group of minorities with whom he's never really engaged. This sort of action is the result of disintegrated parts of self and immature defenses. Meaning, what explains all the effort and emotion that Eminem pours into his unprovoked attack on people who have done nothing to him are issues he has with himself. Unresolved sexual feelings and discomfort with his sense of self are things that continue to operate below his awareness as he denies and displaces.

So, that's the mentally unhealthy Eminem. And sometimes, as with "Relapse," this part of the famed rapper wins out. Mental illness overwhelms, the result of which are all of its unattractive and unappealing features - passivity, unregulated negative emotions, dishonest self-presentation, and interpersonal conflicts. This is the Eminem that grows defensive and embittered, whines about archaic slights, spills anger without a clear, coherent target, and aimlessly reflects on a now-stagnant life story.

We sense this and we are turned off.

But there's a mentally healthy Eminem. This Eminem is alive and kicking, occasionally winning a round or two in his eternal and internal boxing match. This Eminem, I would argue, is what keeps him separated from so many other successful but fleeting artists of our time. This healthy Eminem has buffered him from the paralyzing dysfunction of his problematic predispositions and upbringing, constantly fed a loyal following, and kept him attached to the limelight.

Let us not forget that Eminem is an artist who has raked in Grammy's and Academy Awards. He's gone triple platinum (that sounds pretty impressive), and in 2001 his Marshall Mathers LP broke records for the fastest selling album and single of all-time.

I would link his success to his sporadically prominent mental health. He may express homophobic ideas but he has also done things like "the hug heard around the world," when he embraced Elton John at the 2001 Grammy Awards. He has exhibited a concern for a better world, as with his anti-war track "Mosh." And, many of his songs demonstrate healthy values in-line with being a good father and loyal friend. Indeed, "Recovery" represents a recovery of mental health in which a generally active, thoughtful and confident stance permeates most of his songs. Here, Eminem is taking ownership over his life. He accurately reflects on personality flaws (an inconsistent father figure), confesses professional hiccups (insults his previous album), and describes an orientation toward others and his life that is characterized by renewed vigor and honesty. In short, his introspection is insightful, and the world he is reconstructing for himself (for others to see and model) hints at a healthier lifestyle.

We like this music because it can, in a sneaky, circuitous sort of way, reflect an inspired and intelligent approach to life that, in turn, breeds the happiness, success and well-being we all seek. As a result, Eminem has become an individual whose success has defied expectation. He should not be nearly as successful as he has been, as he's had to fight through traumatic experiences and pathological tendencies to succeed within a profession that renders him low man on the totem pole of power.

In my opinion, Eminem harbors a mesmerizing internal life in which extreme gifts of mental health constantly spar with equally profound elements of mental illness. Within his songs we subconsciously watch and wait. We root for his healthy side to win out against a formidable foe. The dizzying back and forth has maintained his popularity and albums like "Recovery" represent the most recent round of psychological fighting, in this case, a mean right hook that has dropped the psychological villain to his knees.

Thursday, June 24, 2010

Breaking Down Eminem’s Underwhelming Recovery Lyrics

First, a disclaimer: The only reason pointing out the lackluster lyrical punch on Eminem's new album Recovery feels like a worthwhile endeavor is because for over a decade, Eminem's lyrical punch was taken for granted. The guy's been laps ahead of everyone else for so long that seeing him come down to earth is as surprising as it is unsettling. That said — as more than a few criticshave pointed out, and as Vulture has to agree,Recovery is Eminem at his weakest lyrically. But how exactly is he underperforming? The five ways that Em misses the mark on his new album.

REFERENCES
Eminem's vitriol toward easy teen-pop targets has been criticized going back to The Marshall Mathers LP. Still, at least back then he knew who the teens were into.

"This ain't a song, this is a warning to Brooke / Hogan and David Cook / that the crook just took over, so book." ("On Fire")

Brooke Hogan. Yep.

METAPHORS/SIMILES
He's prone to gushy sentimentalism on the whole album, perhaps best summed up in this stunning string of clichés:

"I got a hole in my heart from some kind of emotional roller coaster / Somethin' I won't go on till you toyed with my emotions, so it's over / It's like an explosion every time I hold you, I wasn't joking when I told you / You take my breath away, you're a supernova." ("Space Bound")

Also, this:

"I shoot for the moon / But I'm too busy gazing at stars." ("Not Afraid")

PUNCHLINES
These are all meant to be clever. They are not.

"Listen, garden tool, don't make me introduce you to my power tool / You know the fucking drill." ("Won't Back Down")

"I'm an uncut slab of beef, laying on your kitchen floor / Other words, I'm off the meat rack." ("Won't Back Down")

"Need I remind you that I don't need the fucking swine flu / to be a sick pig." ("Won't Back Down")

"Stick my dick in a circle / but I'm not fucking around." ("Cold Wind Blows")

"You don’t get another chance / Life is no Nintendo game / But you lied again / Now you get to watch her leave out the window / Guess that’s why they call it window pane." ("Love the Way You Lie")

FLIRTATION
This bit of complaining is reserved just for the Recovery tracks "Seduction" and "So Bad." Why did Eminem decide, even for the ten minutes those songs make up, to try to be late-career LL Cool J?

"It's like we're playing lyrical tug of war with your ear / You hear it, girl, come here / Put your ear up to the speaker, dear, while I freak this / world premiere." ("Seduction")

This is Eminem! The same guy whose idea of a party song used to involve accidental mushroom overdoses and girls with daddy issues chugging Lysol!

MECHANICS
Most open to debate is Eminem's slipping technical ability. As we see it, Em used to drop chunks of intricately layered internal-rhyme lines at will — not necessarily the greatest example, but probably our favorite: "Raw dog, get your arm gnawed off / Drop the sawed off and beat you with the piece it was sawed off of," from Dr. Dre's "What's the Difference" — but almost every time he tries to pull out those old tricks on Recovery, it comes out flat and soft.

"Shit, dissin' me is just like pissin' off the Wizard of Oz / Wrap a lizard in gauze, beat you in the jaws with it / Grab the scissors and saws and / Cut out your livers, gizzards, and balls / Throw you in the middle of the ocean in the blizzard with jaws." ("On Fire")

"Coldhearted / from the day I Bogarted / the game my soul started / to rot, fellow / when I'm not even at my harshest / you can still get roasted cause Marshall is not mellow." ("No Love")

"Does a bird chirp, Lil Wayne slurps syrup till he burps / And smokes purp, does a word search / gets circles wrapped around him like / You do when I come through, I'd like you to remind yourself / Of what the fuck I can do when I'm on the mike." ("Won't Back Down")

Source:nymag

Wednesday, June 23, 2010

Eminem's Greatest Hits Reconsidered

With the release of Recovery, Eminem has unleashed another batch of killer songs into the universe. As an album, it ranks right up there with his best work and contains at least three songs that feel like instant classics. For anybody arriving at Slim Shady's party a little late, a walk through his past work is essential, but the hits compilation Curtain Call isn't necessarily the place to start. For one, it doesn't include anything from Relapse or Recovery, which means that Eminem's comeback isn't represented at all. It also doesn't contain any of Em's most valuable guest spots, posse cuts or one-offs, making it woefully incomplete.

So just as we did with that new Oasis greatest hits album that hit stores last week, let's take a look at what songs we would keep, collect and kick to the curb on "Curtain Call."

Keep'Em
"The Way I Am"
"Stan"
"My Name Is"
"Lose Yourself"
"Without Me"
"The Real Slim Shady"
"Guilty Conscience"
"Cleanin' Out My Closet"
Each one of these songs was not only a giant radio hit but also a solid artistic achievement for the rapper. Each one is catchy, powerful and brutally honest.

Kick'Em
"Shake That"
"Sing for the Moment"
"Like Toy Soldiers"
"Mockingbird"
"Just Lose It"
"When I'm Gone"
"Fack"
All of these tunes are guilty of being too much of one thing or being somewhat redundant in the Eminem catalogue (for example, "Just Lose It" is essentially a less interesting version of "Without Me"). Eminem doesn't work terribly well with obvious samples, so "Like Toy Soldiers" and "Sing for the Moment" also get the boot. "Shake That" and "When I'm Gone" sound a bit generic, and the less said about new-to-this-collection "Fack," the better.

Collect'Em
"'Til I Collapse"
The song that should have closed The Eminem Show takes one part Tupac and one part Queen's "We Will Rock You" and smashes them together for a tough, militant, authoritative track with a great hook care of Nate Dogg.

"Just Don't Give a F---"
One of Em's earliest singles is a funny, raw, unhinged smash that needs to be heard just so you can track where he began and where he was headed.

"Go To Sleep"
This three-way collaboration between Em, Obie Trice and DMX appeared on the soundtrack to "Cradle 2 the Grave" and is also the best of Slim's diss tracks against Ja Rule. Combine the fun house beat with some great rhymes about fisticuffs and you've got one of Em's more bracing, in-your-face tunes.

"Mosh"
Eminem rarely got political and Encore was extremely uneven, but "Mosh" saw him firing on all cylinders. Cut during the 2004 election cycle, the song is one of the best rants against George W. Bush ever recorded (and for those who don't remember, there were no fewer than 10,000 of those that came out during Bush's tenure in office).

"What's the Difference"
This cut from Dr. Dre's 2001 only features one Eminem verse, but it's so unbelievably killer and the beat serves Slim so well that it belongs on his compilation. "Forgot About Dre" sort of exists in the same idiom.

"Any Man"
This tossed-off piece of riffing from Rawkus' Soundbombing II compilation has been lost to history. That's a shame, because it's one of Em's sharpest rhymes over an un-fussy, gritty beat.

"American Psycho"
Buried in the middle of D12's debut album Devil's Night lies one of the purest horrorcore tracks Em and company have ever produced. Not only is he responsible for the beat, but the rhymes are that stuff that nightmares are made of.

"Won't Back Down"
Em's rock-friendly duet with Pink on Recovery will be conquering a radio playlist near you extremely soon, and it seems destined to be an all-time classic in Eminem's career.

"How Come"
The second D12 album D12 World is pretty spotty, but "How Come" (buoyed mostly by Em and late cohort Proof) is a sharp track about relationships that also has a chorus you can sing along to.

Monday, June 21, 2010

Rolling Stone Recovery Review

What is an Eminem album in the post-Eminem era? It's a problem the rapper has been grappling with for some time now. For a few years – from the release of his major-label debut, The Slim Shady LP (1999), through the big-screen triumph of 8 Mile (2002) – Em's stranglehold on the zeitgeist was complete. He wasn't just music's biggest star, he was a cultural obsession – the bane of Middle American parents and an equal-opportunity offender across the political spectrum, whose every new song seemed to raise pressing questions about art, morality, race, class and celebrity.

But over the past five years, Eminem has seemed peripheral, releasing half-baked records full of pallid provocation and drug-addiction confessions. On his seventh album, Recovery, Eminem admits he's been in a slump: "I just wanna thank everybody for bein' so patient, bearin' with me over these last couple of years while I figure this shit out."

What has he figured out? Among other things, how to relax a little. Em will always be tightly wound – Lil Wayne he's not – but Recovery is his most casual-sounding album in years, with odes to a "white-trash party" ("W.T.P.") and songs that hearken back to his freewheeling early records – rhymes as goofy and imaginative as they are violent and profane. In "On Fire," Eminem spins a murder-and-dismemberment fantasy into a stream of hilariously macabre interior rhymes: "Wrap a lizard in gauze/Beat you in the jaws with it, grab the scissors and saws/And cut out your livers, gizzards and balls/Throw you in the middle of the ocean in the blizzard with Jaws."

He hasn't entirely abandoned his old tics. He still wallows in his doomed love for his ex-wife and muse, Kim; he's still bent on settling scores with rival celebs. ("Take a look at Mariah next time I inspire you to write a song," he raps in the album opener, "Cold Wind Blows.") He turns to Script Shepherd for the album's most festive beat ("Cinderella Man"), but the production follows the template of every album since Encore (2004), leaning toward dirgelike beats full of minor keys and dashes of post-grunge rock.

There are some surprises, though. Eminem's records have generally been estrogen-free zones, but on Recovery, he joins forces with Pink ("Won't Back Down") and Rihanna ("Love the Way You Lie"). And though he remains a neurotic – a guy lost in the labyrinths of his own psyche – on the new album, he goes a little deeper, laying bare not just childhood traumas but professional jealousies: "I almost made a song dissin' Lil Wayne/It's like I was jealous of him 'cause of the attention he was gettin'/I felt horrible about myself," he confides in "Talkin' 2 Myself."

The difference is that these days, Em is finding ways to make therapy fun, including mocking his own penchant for navel-gazing melodrama. In the hit "Not Afraid," he raps, "This fuckin' black cloud still follows me around/But it's time to exorcise these demons/These motherfuckers are doing jumpin' jacks now." Em is just a few years shy of 40, and if he's seeming more and more like a grumpy middle-aged man, at least he's owning it – he sounds content to be rap's wittiest head case. It's not as sexy a job title as Rebel Without a Cause or Great Satan, but it beats working.

Monday, June 14, 2010

Q&A: PRODUCER ALEX DA KID TALKS EMINEM


You may not know his name yet, but that’s about to change. Alex Da Kid is quickly becoming hip-hop’s hottest commodity as the producer behind B.o.B’s “Airplanes,” Nicki Minaj’s “Massive Attack,” and his latest bragging rights, Eminem and Rihanna’s Recovery collaboration “Love the Way You Lie.”

Currently in the lab with Rihanna, Diddy, Jeezy, and Ashanti, the 26-year-old Londoner sat down with Rap-Up.com to chat about orchestrating pop’s most unexpected pairing of the year and what it was like to work with Slim Shady.

How did the Eminem and Rihanna track come about? Did you do that song with them in mind?
[Rigo "Riggs" Morales], head of Shady Records in New York, heard my tracks and liked them. He knew that Em wanted to do something different on this album or work with different people, so we started sending Em tracks.

How long ago was this?
This was like four, five months ago. We started sending tracks. At the same time, Em heard [B.o.B's] “Airplanes” and he loved it and wanted to get on it, so he got on “Airplanes, Pt. II” eventually, and he helped do additional production on that as well. He became aware of me in both ways. He just asked me if I had any other tracks, so I sent him ["Love the Way You Lie"] with a hook. I just signed the girl that wrote the hook. I gave it to Em and he loved it and recorded it within two days. He was like, “I definitely wanna get Rihanna on this.”

So he had her in mind?
Yeah. Paul [Rosenberg], his manager, sent it to Rihanna and she loved it. She hardly collaborates on anything anymore. It all happened at the last moment.

Were you in the studio with Em when he recorded it?
Not when he recorded it. I went in there to mix it. He recorded it two to three weeks before the album got mastered, and then I went out [to Detroit] like two days before it got mastered. It was last minute. Rihanna was in Dublin, so we were mixing it while she was recording it and doing it over the Internet.

How was it working with Eminem?
It was amazing. He’s really down-to-earth and not how you would expect a humongous artist to be. Everyone around him is really down-to-earth as well. Everyone makes jokes about each other. It’s really funny.

What artists have you had great chemistry with in the studio?
Definitely Em could be the top one. Rihanna was super cool. We did some stuff last year in London.

Why Em?
Em reminds me of one of my friends from back home. It was just so natural. I forgot in two seconds that he was the biggest-selling artist of the decade. He knows what he’s doing. Me and him mixed [the song] together and he’s not like somebody that’s telling somebody what to do. We were both on the board turning knobs. The atmosphere and the vibe down there was just super cool.

Source:Rap-UP

Thursday, June 10, 2010

Eminem Planned To Diss Kanye West And Lil Wayne

But fortunately thought better of it...

Tracks from Eminem's new album Recovery have leaked online and Em has revealed that one track - entitled Talkin' 2 Myself - is about how he had once thought about dissing Lil Wayne and Kanye West.

On the track he says: "Hatred was flowing through my veins, on the verge of going insane, I almost made a song dissing Lil Wayne. It's like I was jealous of him because of the attention he was getting, I felt horrible about myself.

“He was spittin' and I wasn't. Anyone who was buzzin back then could of got it, almost went at Kanye too. God it feels like I'm going psychotic. Thank god that I didn't do it, I would of had my a** handed to me. And I knew it, but Proof isn't here to see me through it."
Source:MTV UK

Friday, June 4, 2010

Eminem Plans To Keep Rapping Until He’s In His 70s

The rapper is well-known for his violent and expletive-laden lyrics, having written songs about murder and drug use. His new album Recovery is due to be released later this month, and Eminem has been talking about his inspiration.

He cites US star LL Cool J as someone he looks up to, adding he loves his job and has no intention of retiring any time soon.

“Hearing LL Cool J made me want to rap, that's what did it for me,” he explained. “Maybe I'll be a sixty or seventy-year-old rapper.”

Eminem – real name Marshall Mathers – made the comments during an interview with UK talk show host Jonathan Ross. LL Cool J was also on the programme, and was more than happy to discuss his career.

As well as releasing many successful albums, the star has also worked in fashion, launched a website and written books. The 42-year-old says he is a lot more relaxed now than he was in his younger days, when he used to spend his money on flashy jewellery and cars.

“I was never addicted to anything... my thing was bling, cars... ten cars in front of my grandmother's house,” he laughed. “Just ridiculous.”


Source:Musicrooms

Friday, May 28, 2010

Eminem's Recovery Track List Revealed: Lil Wayne, Rihanna Guest

Pink also appears on album, due June 22.

First, Eminem opened up his circle of producers to include Just Blaze, Jim Jonsin and Mobb Deep's Havoc on his June 22 album, Recovery. Now, the album's track list has arrived via RapRadar.com, and it finds Slim Shady collaborating with a cadre of artists he's never worked with before in his career.

Pink, Rihanna and Kobe, a singer who appeared on Fabolous' last album, highlight the list of guests on Recovery, Em's follow-up to last year's Relapse Lil Wayne is the only other guest who appears on the album. The two lyricists collaborated previously on Wayne's rock-leaning project Rebirth, but they've never traded rhymes with each other on the same song; on "Drop the World," Wayne sings for the most part aided by Auto-Tune, and Eminem delivers a rap verse at the end of the number.

The lead single from Recovery, "Not Afraid," premiered a month ago and quickly established that Eminem was back. The track debuted at #1 on Billboard's Hot 100 chart, making the rapper one of only a handful of artists to achieve the feat.

The cover artwork for Recovery debuted earlier this week on the rapper's website.

MTV News' request to Interscope Records to confirm the track list has not been returned as of press time.

Recovery track list, according to RapRadar.com:

1. "Cold Wind Blows"
2. "Talkin' 2 Myself" (featuring Kobe)
3. "On Fire"
4. "Won't Back Down" (featuring Pink)
5. "W.T.P."
6. "Going Through Changes"
7. "Not Afraid"
8. "Seduction"
9. "No Love" (featuring Lil Wayne)
10. "Space Bound"
11. "Cinderella Man"
12. "25 to Life"
13. "So Bad"
14. "Almost Famous"
15. "Love the Way You Lie" (featuring Rihanna)
16. "You're Never Over"

Source:MTV


Thursday, March 25, 2010

Suge Knight Targets Dr. Dre & Eminem In New Film, "He's A Very Intimidating Character"

Former Death Row Records owner Marion "Suge" Knight is reportedly poking fun at Dr. Dre and Eminem in an upcoming short filmHip-hop heavyweight Marion "Suge" Knight has helped boost a pal's film career by attacking his rap rivals on camera. The former Death Row Records boss is the focus of young filmmakers Jabari Henley and Shane Taylor's short, The Mic, which pokes fun at rap stars like Eminem and Dr. Dre. Knight agreed to rant about his rivals as a favor to pal Big U - Henley's father. (Celebrity Mound)
Source: Who the fuck cares anyway

Thursday, February 4, 2010

Eminem Denies He’s Back With Kim

He says it's not true this time…

Eminem has denied reports that he’s back with ex-wife Kim and that she is pregnant with his child.
Tabloids in the US claimed the on-off pair had rekindled their relationship and that she was having a baby boy.
A rep for Slim Shady denied the reports saying: “Contrary to false rumors spread by unreliable tabloids, Marshall and Kim Mathers are not romantically reunited in any way, nor are they expecting a child together.
“They are a divorced couple who share custody of their daughter and maintain a friendly relationship.”
Kim and Marshall have been married twice and had a very up and down public relationship. Em’ has written many songs slating his ex-missus.

Source:MTV